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recensione a Laura Di Corcia, "In tutte le direzioni" (ed. Lietocolle/Pordenonelegge, 2018), in "Corriere del Ticino", 11 luglio 2019
With this information I intended to guide you briefly – through leaps and quick reveletions - inside a landscape where poetry, voice, walking, transfert find their proper collusion. Though using interdisciplinary connections sometimes by far too daring and passages absolutely personal and intimate I hope to have proved that poetry is in fact a body action, in body embedded, that brings us towards unexplored territories.
Rudiae. Ricerche sul mondo classico
Il "viaggio" della metafora2018 •
It Il 'viaggio' della metafora e inteso in duplice senso: 1) il viaggio della metafora come figura retorica; 2) il viaggio della metafora nel tempo, sino ai nostri giorni. Per quanto riguarda il primo aspetto, si osserva che Aristotele mutua il significato di μeταφορά da quello originario di «trasporto»; quindi la metafora originariamente indica il «trasporto» di un significato da un termine ad un altro ad esso affine. Tuttavia, Aristotele sottolinea anche un altro dato importante di questa figura: la metafora come fonte di conoscenza. Per quanto riguarda il secondo aspetto si esamina come la metafora sia presente nel discorso contemporaneo, nel linguaggio ordinario e in quello giornalistico, e si danno numerosi esempi tratti da articoli di giornali su argomenti diversi come sport e politica. Se ne deduce che la metafora non e ornamento del discorso, ma la manifestazione di un modo di pensare per immagini, come sostengono G. Vico, P. M. Bertinetto e M. Black Parole chiave: Metafora. Aristotele. Discorso contemporaneo
Materia Prima - Rivista di Psicosomatica Ecobiopsicologica
Viaggio alla ricerca della propria totalità2018 •
O uomo! Viaggia da te stesso in te stesso, ché da simile viaggio la terra diventa purissimo oro. Rȗmi
Annali del Dipartimento di Filosofia, pp. 17-52
Ermanno il Tedesco e il «viaggio della Poetica»2009 •
Between rhetoric and poetics: an amatory letter in prose and verses attributed to Petrus de Vinea. This paper offers the first critical edition of a prosimetric letter attributed to Petrus de Vinea (inc.: Cum plurima tempora sint transcursa). This text is an evident example of the Mezzogiorno Latin culture in the thirteenth century. Traces of reuses of the poems by Ovid, of the elegiac comedy Pamphilus and of other unknown poetries demonstrate that the cultural training in ars dictaminis was oriented not only to letter writing, but also to poetic literature.
2022 •
Atti del Convegno della prima edizione del Festival di Poesia Paolo Prestigiacomo, nell'ambito dell'ottava edizione del Premio di Poesia edita Paolo Prestigiacomo. 20 agosto 2021, San Mauro Castelverde (PA). Saggi e poesie di Andrea Accardi, Gianluca Furnari, Antonio Lanza, Edoardo Camassa, Giuseppe Condorelli, Grazia Calanna, Maristella Bonomo, Pietro Russo, Fabrizio Ferreri, Diego Conticello, Giuseppe Manitta, Renata Morresi, Daniela Pericone, Angelo Santangelo, Giuseppe Nibali, Roberto Batisti, Gabriella Grasso, Roberta Reitano, Gabriella Sica, Milo De Angelis, Cettina Caliò, Marilena Valenti, Umberto Piersanti, Marco Corsi, Giorgio Ghiotti, Roberta Borgia, Angelo Sturiale, Carola D'Andrea.
AORISTO - International Journal of Phenomenology, Hermeneutics and Metaphysics / ISSN 2526-592X (versão eletrônica)
Imparare ad abitare nel suo fondamento poetico2019 •
Learning to dwell in his poetic foundation The purpose of this paper is to offer a contribution to the reflection on the concept of dwelling in the Martin Heidegger's meaning. This principle finds its foundation in the poetizing spirit and is developed here starting from the reference to the “poetically man dwells” of Hölderlin. The poetic element of dwelling, an essential trait of the the ‘being there’, according to Heidegger's theory, is original experience from which it derives the invitation to a new form of thought: a “poetizing thought”. The poetic speak has its specific relevance in this direction, rising to a ‘setting-into-work’ of truth in which resounds the provenance of the difference between being and ente in the original rhythm of openness and concealment. Only man poetizing, communicator par excellence, can reach to the original dwelling and touch the divine, sacred, arranging themselves to the self-revelation of being in accordance with the image of the Quadrature (Geviert) wherein the four voices (Heaven, Earth, Divinities and Mortals) are all one shining in the sight of his say. Far from slip back into the language of metaphysics, rather with regard to renew it, Heidegger assigns to the poetic word, as a measure of our dwell, the role of ontological foundation from which pours out the event and the openness of the Being. KEYWORDS Know; Learning; Language; Being; Poetry
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